In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs defined beneath a simple white T-shirt. On stage, ballet dancers can appear like mighty gods, yet often offstage they are small. This is not true for Ball, whose tall stature is one reason for his demand for heroic roles and pas de deux work. Possessing delicate features and piercing eyes, there's a hint of a brooding actor about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is experiencing the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he graduated straight into the company and was promoted each year, reaching the top rank of principal in 2018. He has relished tackling meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
His upcoming featured appearance is as himself, in an "In Conversation" event designed to offer intimate insights into a dancer's art. He will walk the audience through a part, showing his cognitive process during performance. Even in lighter works, the challenge is significant. "Don Quixote is one of the toughest from a skill perspective," he states.
The Psychological Struggle and After the Show Emotions
How does he feel following a performance, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed later. After an intense role I'm always thinking: God, what must people think?"
Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."
Formative Drivers and Artistic Inspirations
His tenacity stemmed from early experiences. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.
The next challenge is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from literature, music, and painting.
Close-Up Dance and Private Partnership
He also favors staging dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has made pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite cheerleader."
Regarding Instagram and Physical Perception
On Instagram, fans can see videos from his projects and photos that showcase a athletic physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.
Ball describes his younger self as "desperate for success." Did it met his hopes? "I am conscious of how life is a different reality to the dreams you had as a young person," he reflects. He likely has about decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."